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[Athena] tr: FYI France: typography and Europe


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  • From: christiane demeulenaere <christianedemeulenaere AT orange.fr>
  • To: ATHENA <athena AT services.cnrs.fr>
  • Subject: [Athena] tr: FYI France: typography and Europe
  • Date: Sun, 16 Sep 2012 23:45:54 +0200 (CEST)



Christiane Demeulenaere-Douyère
11 rue Lisfranc 75020 Paris

christianedemeulenaere AT orange.fr
01 43 66 84 17






> Message du 16/09/12 19:50
> De : "H-France"
> A : "h-france AT lists.uakron.edu"
> Copie à :
> Objet : FYI France: typography and Europe
>
>
> From: kessler49 AT gmail.com [kessler49 AT gmail.com] On Behalf Of Jack Kessler [kessler AT well.com]
>
> FYI France: typography and Europe
>
> If you will be in or near Lyon, in October, or even if you won't: a
> conference plus a "day of study" -- of interest to anyone fascinated
> with The Book, certainly, but also anyone interested in Victoriana, or
> machinery, or design, or history, Europe, culture, industrial
> evolution, telecommunications, just plain communications whether
> "tele-" or not, newspapers, placards, paper, cities,
> transitions-in-media, personal _expression_, tools... aand very much
> including The Digital, and The Internet... --
>
> "Announcing: a day for studying our typographic patrimony, in
> conjunction with the congress of the Association of European Printing
> Museums.
>
> "The Musée de l’Imprimerie, Lyon, welcomes, October 11-13, the
> congress of the Association of European Printing Museums / AEPM, which
> includes over sixty printing museums in Europe.
>
> "In conjunction with these meetings, a day of study devoted to
> techniques of conservation, preservation, and the use of typographic
> patrimony, will take place on Friday, October 12.
>
> "The presentations:
>
> * James Mosely, Professor in the Department of Typography and Graphic
> Communication, University of Reading, United Kingdom -- "The state of
> typographical heritage: preservation, study and evaluation - an
> overview of European typographical collections."
>
> * Guy Hutsebaut, specialist in graphic technique, Musée
> Plantin-Moretus, Anvers, Belgium, with Patrick Storme, Department of
> the Conservation of Metallic Objects, Artesis University College,
> Anvers -- "Research on corrosion of lead printing types in the
> collections of the Plantin-Moretus Museum."
>
> * Richard Southall, specialist in digital typography, United Kingdom :
> "There’s no body there: conserving dematerialised type."
>
> * Alice Savoie, font designer, France / United Kingdom --
> "International cross-currents in typeface design during the
> phototypesetting era: the value to researchers of public and private
> typographic archives."
>
> * Andrea De Pasquale, Directeur of the Bibliothèque nationale
> Braidense de Milan and of the Bibliothèque universitaire de Turin --
> "Exploring 18th century typographical production through the
> unexploited archives of Giambattista Bodoni."
>
> * Mathieu Lommen, Conservateur des collections graphiques,
> Bibliothèque de l’université d’Amsterdam -- "The value of
> typographical archives for publications and teaching."
>
> * Charlotte Delannée, Johan Seivering, Andréas Schweitzer, Association
> pour le patrimoine industriel, Suisse -- "Towards a systematic and
> semantic inventory of printing heritage materials."
>
> "A publication -- La lettre en Europe, Type in Europe -- will
> accompany this Congrès 2012...
>
> "This day-of-study, which will take place at the Musée de l’Imprimerie
> [in Lyon], is open to all who are interested in typographical
> heritage, to the extent that places are available.
>
> "Tarifs : 25 € pour la seule journée de conférences. 65 € avec
> cocktail (18 h) + dîner (20 h) avec l’ensemble des délégués des musées
> de l’imprimerie européens.
>
> "Chèque à l’ordre de l’Association des Amis du Musée de l’imprimerie,
> à envoyer avec ses coordonnées complètes aux,
>
> Amis du Musée de l’imprimerie
> 13 rue de la Poulaillerie
> 69002 Lyon
> France
>
> Contact: bernadette.moglia AT mairie-lyon.fr
> Musée de l’imprimerie: www.imprimerie.lyon.fr
> 13 rue de la Poulaillerie, 69002 Lyon
>
> http://www.imprimerie.lyon.fr/imprimerie/sections/fr/aepm_prog/aepm_prog
>
>
> And now a Note: about Europe...
>
> One of life's more interesting pleasures is to linger,
> fly-on-the-wall, at one of these European cultural events, such as the
> one announced and described above.
>
> There is a special energy, in this place so distinguished by the
> extreme variety in its many different approaches to life. To watch the
> mingling of representatives from County Sligo, the Mezzogiorno,
> Catalonia, al Andaluz, Silesia, Flanders, Wales and Bretagne and
> Savoie and all the rest, as they assemble to discuss, debate, argue
> animatedly about their shared European Patrimony.
>
> To an Outsider, particularly one from a larger and perhaps more
> unitary place -- the US or China or India, Indonesia, Australia,
> Russia, Brazil -- or from a place far older -- Japan -- modern Europe
> is the oddest combination of differences and similarities.
>
> The place is tiny, Europe, as any visitor from the Great US Midwest,
> or the vast Russian Steppes, or the Outback's Alice Springs, or the
> Sovereign State of Texas, will attest -- as a senator from Texas
> famously advised a US President, regarding a wartime speed limit of 55
> mph, "Mis-ter President, you can't _get_ anywhere in Texas going only
> 55 miles per hour!"
>
> European autopiste & autostrada & autobahn speedsters regularly
> traverse their entire "continent" at speeds far in excess of that --
> these days still, and speed limits set recently in some places
> notwithstanding -- haphazard enforcement, it's a difficult & dangerous
> duty, I remember the French police chasing them in police sports
> cars....
>
> You can cross an entire European nation -- with its own unique
> languages and traditions and cultures, all above-all different from
> its nearest neighbors -- in the time it takes to get from Alice
> Springs to Nowhere, or around or through Los Angeles or Tokyo, or from
> Shanghai to its suburbs on a non-gridlocked-day in China.
>
> So to such an outsider, someone from Omaha or Osaka -- or these days
> more likely Suchow or Mumbai, on one of those whirlwind "If it's
> Tuesday this must be Belgium" packaged-tour initial visits -- little
> Europe might seem a unified whole, similar people doing similar things
> in similar ways.
>
> But then you begin to spot the differences --
>
> First, languages: in Tamil Nadu, everywhere in that beautiful place
> except in the centers of the biggest cities, they speak, well, Tamil
> -- not even Hindi, too much -- while in Europe at any gathering
> everyone speaks several.
>
> Then, technique: in the UK they still drive on the Wrong Side -- I
> hope the Scots won't change that... chaos at Hadrian's Wall... -- I
> have a very funny photo on my Pinterest "Whaat?" board of, "The first
> day in Sweden they switched from driving on the left to driving on the
> right".
>
> Then, food: I imagine "breakfast" in Perth and Yarraville, that's
> 2000+ Australian miles, is pretty much the same -- but two neighboring
> villages in any given European countryside bake their morning bread
> very differently, as any motorcycle-riding visitor there can attest --
> a difference maintained very deliberately in Europe, I'm told,
> "artésenal" licensing and "Brussels" uniformities notwithstanding.
>
> But back to the meeting-room, and that upcoming European "congrès"...
>
> I always have been amazed at the variety of approach, in any given
> European meeting. It is a variety which made Luigi Barzini proud (The
> Europeans, 1983). It comes out greatly at any cultural event: poets,
> painters, musicians -- there is less in-common, in a European event,
> than there is in any similar event I've ever attended anywhere else.
> It's very stimulating, makes one pause and Think Different. So I hope
> there'll always be a Europe, at least to make us monolithic
> globalizing giants remember to think, "variety!"
>
> This particular European event should be fascinating -- like any event
> arranged by the Institut d'Histoire du Livre / IHL -- or Lyon's
> equally-excellent Musée de l'Imprimerie, or its richly-endowed
> Bibliothèque Municipale.
>
> n.b. that last safeguards, among many other "wonderful things", an ms.
> in their collection from the library of no less than Charlemagne...
> 800 a.d., Alcuin et al., imagine!... -- see Bob Peckham's site:
> Consulting Medieval Manuscripts Online --
> http://www.utm.edu/staff/bobp/vlibrary/mdmss.shtml -- and for mss. at
> the BMLyon itself, http://florus.bm-lyon.fr/index.php.
>
> Bonne lecture,
>
> Jack Kessler, kessler AT well.com
>
>
> --oOo--
>
>
> FYI France (sm)(tm) e-journal ISSN 1071-5916
>
> *
> | FYI France (sm)(tm) is a monthly electronic
> | journal published since 1992 as a small-scale,
> | personal experiment, in the creation of large-
> | scale "information overload", by Jack Kessler.
> / \ Any material written by me which appears in
> ----- FYI France may be copied and used by anyone for
> // \\ any good purpose, so long as, a) they give me
> --------- credit and show my email address, and, b) it
> // \\ isn't going to make them money: if it is going
> to make them money, they must get my permission in
> advance, and share some of the money which they get with me. Use
> of material written by others requires their permission. FYI France
> archives may be found at http://listserv.uh.edu/archives/pacs-l.html
> (PACS-L archive), or http://www.lib.berkeley.edu/Collections/FYIFrance/
> or http://www.fyifrance.com -- also now at http://www.facebook.com
> ("Jack Kessler" My Notes), and at http://fyifrance.blogspot.com/.
> Suggestions, reactions, criticisms, praise, and poison-pen letters
> all gratefully received at kessler AT well.sf.ca.us .
>
> Copyright 1992- , by Jack Kessler,
> all rights reserved except as indicated above.
>
>
> --hjlm--This message and any attachment are intended solely for the addressee and may contain confidential information. If you have received this message in error, please send it back to me, and immediately delete it. Please do not use, copy or disclose the information contained in this message or in any attachment. Any views or opinions expressed by the author of this email do not necessarily reflect the views of the University of Nottingham.
>
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>


  • [Athena] tr: FYI France: typography and Europe, christiane demeulenaere, 16/09/2012

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